The Louvre invites itself to Reunion Island: a dialogue between the collections of the island's five museums and those of the Department of Graphic Arts.

The catalogue of the 2021 Belgrade Biennale, exploring the space of dream as a metaphorical space of freedom, capable of re-reading categories, rules, and the most common certainties.

Eight artists, among the many who have been profoundly marked by the work as rare as it is decisive of James Bishop (1927-2021), share their perspectives on the American painter.

Drawings and paintings.

First French translation of a seminal text of media theory, which this edition contextualizes, notably through the debate it provoked with Baudrillard.

The catalog of the third edition of the International Graphic Design Biennial, organized by le Signe, centre national du graphisme, questioning the role of virality in today's society (with Fanette Mellier, the Iranian studio Kargah, Michel Le Petit Didier, Michiel Schuurman...).

A documentary and speculative publication on a genealogy of political, social, ecological and identity-based struggles in the Brittany region and the West of France, from the 1960s to the Zone to Defend of today, based on numerous documents and films made by filmmakers and collectives.

The Roman period (1974-1976) of the Swiss artist Hannah Villiger (1951-1997), some decisive years where she developed the sculptural approach to photography that would shape all of her later work.

Xavier Veilhan's drawings.

Issue celebrating the 30th anniversary of the design research journal, offering a selection of essential articles and free iconographic navigation in the Azimuts corpus.

A photographic project about the history and repercussions of the life of German botanist and gardener Georg August Zenker.

The exhibition catalogue for the Château d'Oiron presents more than 170 artworks from the collection of Antoine de Galbert, placed in such a way as to dialogue with the permanent collection of contemporary art Curios & Mirabilia, assembled by Jean-Hubert Martin in 1993.

On the occasion of Natures Mortes, her carte blanche at the Palais de Tokyo, the artist Anne Imhof is the guest editor-in-chief of issue 31 of the magazine PALAIS.

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

An inspiring album that dissolves the boundary that too often separates live and studio, improvisation and composition.

An off-track, frenetic and exciting improvisation session bringing together musicians who have known each other for many years and are playing together for the first time.

An exquisite corpse (four pieces resulting from a process of musical exchange between Jean-Philippe Gross and Jérôme Noetinger).

Sylvère Lotringer traces his career and intellectual path through conversations with Donatien Grau.

Sylvère Lotringer traces his career and intellectual path through conversations with Donatien Grau.

Second issue of the critical magazine Dixit in which the words of the architect Yony Santos from the swiss architecture practice TYPICALOFFICE and of Marina Otero Verzier, director of research at Het Nieuwe Instituut (HNI), confront each other around the theme of “A Matter of Data”.

Contemporary poetry in Arabic: Maya Abu-Alhayyat; "Jean-Michel Jarre or the time of the jesters", by Jérôme Noetinger; Takayuki Hashimoto; Louis Moholo-Moholo; Simon H. Fell; Titania Tapes; 60 album reviews...

The new wave of French and international design: an account of research on the glass vase conducted at the International Research Center for Glass and Plastic Arts, showcasing the work of the ten designers who were awarded the grand prize in the Design Parade Hyères competition, organized each year by the Villa Noailles.

How the organization of time structures the creative process and more broadly our relationship to the world.

Changes in Direction – A Journal provides multivocal and transnational African-European statements to current decoloniality debates from different perspectives.

First issue of the annual review of the École des arts décoratifs de Paris, devoted to the challenges of contemporary decor.

A journal of critical and political poetry.

Julius Eastman's Four Pianos (1979-80), performed by Melaine Dalibert, Stephane Ginsburgh, Nicols Horvath and Wilhem Latchoumia.

First vinyl edition of the 3rd album by Norscq (The Grief / The Atlas Project) that combines ancient texts, oriental singing, post-industrial electronica and dark ambient.

An industrial and psychedelic sound piece recorded at the opening of CM von Hausswolff’s solo exhibition “INSNITT” at 3:e Våningen, Gothenburg, in 2018, with John Duncan, Leif Elggren, Jean Louis-Huhta, Joachim Nordwall, and Henrik Rylander.

A collection of works, documents, testimonies, recollections and analyses that offers an exceptional overview of the history and life of the New Realist group.

The ten years of activity of the international program of research, experimentation, and artistic and pedagogical residencies devoted to questions of artistic community, art in public space, landscape and the political issues of borders, territories and migrations, in Marfa, Texas, a mythical place that has become a veritable artistic laboratory.

An artistic and scholarly inquiry into the  work of Anton Wilhelm Amo (c. 1700–after 1753), an outstanding philosopher of the early eighteenth-century Enlightenment, the first African to earn a doctorate in a European university.

The ten years of activity of the international program of research, experimentation, and artistic and pedagogical residencies devoted to questions of artistic community, art in public space, landscape and the political issues of borders, territories and migrations, in Marfa, Texas, a mythical place that has become a veritable artistic laboratory.

The first official monograph project around Ramsès Younan, a major figure and member of the Egyptian surrealists group, this volume gathers an exhaustive catalogue of Younan's paintings, drawings and visual experimentations with an anthology of critical essays about and by the artist.

The catalogue raisonné of the Frac Île-de-France Collection.

A fascinating journey into the experimental filmmaker's universe.

A dive into the world of fantastic realism through the works of some twenty contemporary artists.

Seven American artists share their invaluable perspectives on the decisive work of Simon Hantaï.

An inventory of the research of the designer Samy Rio, which attempts to account for the rich and open process of his work towards a more sustainable design practice.

A project by Paul-Armand Gette around the censorship of the Diane Chasseresse by the artist Jean-Antoine Houdon (1741-1828), whose sex considered too naturalistic was plugged up and filled with bronze rods and then hammered in 1829 when it entered the national collections.

Limited edition with an original artwork signed by the artist.

A polyphonic genealogy of the concept of contemporary African art.

An analysis of the exhibition pavilions (universal exhibitions and bienniales) from the point of view of their architecture, crossing the contributions of designers and architects, historians, philosophers and aestheticians.

Two short stories by Lucien Jean (1870-1908), accompanied by a mini CD slipped into the book: an unpublished atmospheric piece, recorded for the occasion, by Lee Ranaldo.

19 poems and 23 chronicles of improvised music concerts (Albert Ayler, Sophie Agnel, Raymond Boni, Hélène Breschand, Steve Dalechinsky, Joëlle Léandre, Seijiro Murayama, Jean-François Pauvros, Barre Phillips, and many others).

Published on the occasion of the forty-year anniversary of Chantal Crousel Gallery, this extensive publication (more than 700 pages) traces the history of the gallery, a major actor on the contemporary art scene, in France and abroad.

A collection of essays, librettos, lyrics, memories, photos, personal anecdotes by musicians, visual artists, researchers and archivers that pays homage to the work and life of African-American composer, musician, performer, activist Julius Eastman.

A number of more or less benevolent considerations on the work of Jacques Halbert.

Four decades of incisive writing about contemporary art, fired by enthusiasm and scepticism alike, by the eminent German cultural critic and commentator Walter Grasskamp (essays on Joseph Beuys, Hans Haacke, Duane Hanson, Jörg Immendorff, Axel Kasseböhmer, Alex Katz, Anselm Kiefer, Per Kirkeby, Karin Kneffel, Eduardo Paolozzi, Sigmar Polke, Markus Raetz, Gerhard Richter, Sarkis, Aldo Walker, Ben Willikens).

Julius Eastman's major yet long-forgotten ensemble piece from 1974, dense and hypnotic, played by Ensemble 0.